By Audrey A. Fisch
Audrey Fisch's learn examines the stream inside England of the folk and ideas of the black Abolitionist crusade. via targeting Harriet Beecher Stowe's Uncle Tom's Cabin, an nameless sequel to that novel, Uncle Tom in England, and John Brown's Slave existence in Georgia, and the lecture excursions of unfastened blacks and ex-slaves, Fisch follows the discourse of yank abolitionism because it moved around the Atlantic and used to be reshaped through family Victorian debates approximately pop culture and flavor, the employee as opposed to the slave, well known schooling, and dealing category self-improvement.
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Extra info for American Slaves in Victorian England: Abolitionist Politics in Popular Literature and Culture
Tom also experiences empowerment through education: Under Susan's influence, Tom's heart became enlarged, and his mind developed. He was no longer a slave, though in fetters . . It is astonishing how rapidly truth takes root, when its seeds are cast upon a soil rich with the elements of productiveness, yet long left neglected and uncultivated. Every new truth which entered Tom's mind... produced a rich harvest for the struggle in which Tom subsequently engaged. His very words, in course of time, became refined, his manners less harsh and mechanical.
697) The excesses of popularity and financial success of Uncle Tom's Cabin, denigrated by The Times, are here rewritten as the necessary "means" to a worthy end. " What I want to stress here is that while the Christian Observermay differ with The Times in its estimate of Stowe's skills, it concurs that the reader's taste is low. " The reader's inclination remains degraded; he or she is still likely "to turn a deaf ear" to more serious and substantial literature. Yet the Christian Observer reserves hope that, "under a mark of a witticism," the "master-spirit" may "convey some serious conviction to the mind of the reader" (697).
He watches the gale of public opinion, and trims his vessel accordingly. Is it a profligate age for which he is writing? A licentious tale is immediately provided. Is it an age morbidly craving after excitement? He has ready for the market scenes of horror, mysteries, and murders. Are levity and nonchalance about great and good things the characteristic of the day? He stands forth as the buffoon for the gratification of his readers, and deals out a supply of flippant "badinage," and heartless mockery of good men or great principles.
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