By John Caldwell, Oswaldo Rodriguez Roque, Dale T. Johnson, Kathleen Luhrs, Carrier Rebora, Patricia R. Windels
This paintings completes the three-volume catalog of The Metropolitan Museum of Art's impressive choice of American portray. quantity I makes a speciality of a huge selection of a few 315 work by means of approximately a hundred and twenty artists relationship from the early eighteenth century to the mid-nineteenth century. The museum's assortment positive aspects eighteenth-century graphics and historical past work by way of such very important artists as John Smibert, Joseph Blackburn, John Singleton Copley, Benjamin West, Charles Willson Peale, Gilbert Stuart, and John Trumbull. artistic endeavors by way of the founders of the Hudson River university, Thomas Cole and Asher B. Durand, besides America's such a lot winning style painters, William Sidney Mount and George Caleb Bingham, also are integrated during this catalog. The catalog proceeds chronologically, offering a radical dialogue of every portray, a biography of the artist, bibliographical references, an exhibition historical past, and data on provenance.
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Extra resources for American Paintings in The Metropolitan Museum of Art, Vol. 1
The new image versions and processing stages produced by the phases that followed need to be organized and saved too. Backups have to include all peripheral data and not just your image files. Backup and media management Tagging/keywords Ensure data integrity + consistency Backup (images, database, software, operating system) Figure 2-1: The five main phases of the digital photo workflow Phase 1: Shooting We are assuming that you are already familiar with basic photographic techniques, either from using an analog camera or from your existing digital experience.
The latter is only relevant if you are shooting in JPEG format. * We recommend that you use Adobe RGB unless you just want to post your unprocessed images on the Web. If this is the case, sRGB is just as good. rr Image numbering. This is where you decide whether to allow the camera to number your images sequentially, even if you change the memory card. This setting helps avoid duplicate image numbers, making it easier to keep an overview of your images before you rename them during (or after) downloading.
We use one folder for each year, and the folder’s name always includes the year. The year folders contain subfolders organized according to shoots. If we use only one camera, all the images from a shoot are stored in a single subfolder. If we use multiple cameras for a shoot, the images from each camera are stored in a separate subfolder. Figure 1-24: Our system for storing original images downloaded from the camera rr 2010: All source images shot with all of our cameras in the year 2010 are stored here in appropriate subfolders.
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